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newcriterion.com
Log In - The New Criterion
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Log In – The New Criterion
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Gala - The New Criterion
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The true colors of antiquity – The New Criterion
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Bellini’s drawings - The New Criterion
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A family of ghosts - The New Criterion
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April 1988 | The New Criterion
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Sadness balancing wit: Thackeray’s life & works - The New Criterion
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Sculpting in color - The New Criterion
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“Fashioning history,” by Brooke Allen
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In memoriam: Howard Nemer…
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Van Gogh’s loneliness - The New Criterion
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Victor Hugo: the dangerous master - …
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Five greats, one night - The New Criterion
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Poetry as disease and therapy | The New Criterion
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The canonization of W. E. B. Du Bois | The New Criterion
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“Beneath the surface,” by Kyle Smith
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“Arising from the azure main,” by Jeremy Black
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Brice Marden’s abstraction | The New Criterion
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Lear’s tragedy, & ours - The New Criterion
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“Herod gets a pass,” by Paul Devlin
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A profound simplicity: the poetry of Andrew Youn…
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Victor Klemperer: a Jewish life in the Third Reich - The New Criterion
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Phalanxes & temples | The New Criterion
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“A long, fruitful relationship,” by Jay Nordlinger.
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Funeral march - The New Criterion
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“Mozart on the violin,” by Jay Nordlinger
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Rothko revelations - The New Criterion
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