The Bride and the Goodnight Cinderella shocks audience while exploring the relationship between performance art, voyeurism ...

What can we make of the legacies we did not choose, yet continue to live with? This question underlies ‘sent in spun found’, ...

Earlier this year, I received an email suggesting that I commission a well-known critic to write a takedown of British art ...

Uniting 50 female artists across the MENA region,‘Horizon in Their Hands’ explores how craft became a form of artistic ...

To celebrate the release of their new novel, The Silver Book, the author shares a list of literary works that have inspired them ...

At Centro Botín, Santander, an expansive installation traces coastal histories, echoing the losses wrought by extraction, ...

From Natsuki Tanihara’s Bunraku-inspired paintings at Multiply Encoded Messages to Yuta Geshi’s art of the everyday at ...

For many contemporary artists, the pull of verse offers boundless opportunities through and with which to make work ...

Her retrospective at the Art Institute of Chicago highlights politically transformative relationships between Black women ...

Bernardo José de Souza’s exhibition turns outer space inwards, building an environment where desire resists the pull of power ...

Many years ago an editor made a note to me in all caps: ‘STOP REHASHING IDEAS FROM THE ’70s!,’ highlighting something about a panopticon, or a spectacle, or in any case a felt sense that the obscure ...

Natalie Diaz is Mojave and an enrolled member of the Gila River Indian Tribe (Akimel O'odham). Diaz is the author of Postcolonial Love Poem, winner of the Pulitzer Prize in Poetry. Her first book, ...