Twenty-five years ago Friday, the Japanese animated character Sailor Moon and her team of guardians of the solar system made their debut on American TV. The character was already a hit among ...
Joshua Ben-Tovim, co-creator of this show from company Impermanence, steps out front before the piece begins to talk us through its main story beats, ‘because dance and narrative don’t always go hand ...
In Hong Kong filmmaker Danny Pang Fat’s supernatural drama Reborn, Venus Wong Man-yik plays a young mother whose grief over her deceased son (Lokman Leung) takes a bizarre form when she adopts a rag ...
Venus Xtravaganza, one of the most quoted and known figures from the legendary film Paris Is Burning, is revived in I’m Your Venus through their brothers and the modern House of Xtravaganza as they ...
Here's the Average Social Security Benefit at Ages 62, 67, and 70 Titanic’s first ever 3D scan reveals details of doomed ship’s final hours Actors Who Refused Game Of Thrones Roles Warren Buffett ...
Plus, get the best of BroadwayWorld delivered to your inbox, and unlimited access to our editorial content across the globe. Fans of the iconic Sailor Moon franchise were treated to a dazzling dose of ...
Nowadays there’s a host of TV adaptations to see in the West End, most of which aim at expanding the universe and reach of their source material, rather than just putting it onstage (think ...
Do Democrats Need a White Male Version of Kamala Harris? New York’s Oopsie Ballot Proposal Imagine That — Actions Have Consequences New Elise Stefanik Book ...
This week on Comically Rough Japanese Translations Theatre is Pretty Guardian Sailor Moon Cosmos The Movie (now on Netflix), an anime epic that could really use a colon or a dash in there somewhere.
I’m not gonna lie. I’ve been reluctant to write this review about Theatre Three’s Venus in Fur. Can a production be so well done that it’s unreviewable? Or did it just mindfuck me to such an extent ...
Jason Reitman's love letter to Lorne Michaels has 1,000 great actors, about 10 decent laughs, and absolutely zero interest in anything beyond itself. ‘A House of Dynamite’ Review: We’re All F**ked in ...