Plunging into the frenzy of the Salem witch trials, Miller’s forensic 1953 dissection of mass hysteria and persecution (written in the shadow of McCarthyism) is, dismayingly, always relevant. Right ...

A new theatre show will be performed outside London for the first time in Sheffield next week. Two Plant Gaysians, an ...

My Son’s A Queer (But What Can You Do?) has kicked off its five night limited engagement at New York City Center from June 12 until June 15. Check out photos of the star and creator Rob Madge in ...

At Broadway’s Studio 54, Jean Smart takes a break from winning Emmy Awards as a sharply dissatisfied comedian on “Hacks” to ...

For L.A. Theatre Works producing director Susan Albert Loewenberg and managing director Vicki Pearlson, the company's legacy ...

Playwright Kimberly Belflower and director Danya Taymor reveal how the Tony-nominated play 'John Proctor Is the Villain' made it to Broadway, with help from 'Stranger Things' star Sadie Sink and pop ...

Wilf Scolding admits that up to a couple of years ago he would never have thought of himself as a musical theatre performer.

Zak Surety had a very eventful debut at the World Snooker Championship this year and although he both loved and hated the experience, he was convinced that the ‘mad’ Crucible is the perfect home for ...

Arthur Miller’s 1953 play is a bona fide modern classic, its study of hysteria and herd behaviour – filtering the paranoia of mid-20th century McCarthyism through the Salem Witch Trials in theocratic ...

In an article in the New Yorker he described how he wrote the play as an “act of desperation” that was “motivated in some great part by the paralysis that had set in among many liberals”. Back then, ...

Kadiff Kirwan, whose credits include Chewing Gum and Slow Horses on screen and The Hot Wing King at the NT, talks about going to drama school without his dad’s knowledge and his role in Intimate Appar ...