Jeanine Tesori is one of today’s pioneering composers. Her work transcends boundaries and spans genres, including film and ...

Irish soprano Ami Hewitt made a big splash as Tytania in Britten's "A Midsummer Night's Dream" at this summer's Blackwater ...

Cumbria Opera Group has announced the headline operas for its 2026 and 2027 seasons. In 2026, the company will celebrate its 10th anniversary with a semi-staged production of Bizet’s “Carmen.” The ...

The Kennedy Center ticket sales continue to plummet. According to a new article by The Washington Post, the performing arts center’s ticket sales for three of the largest performance spaces have ...

The Metropolitan Opera is set to present Giordano’s “Andrea Chénier” for the first time since 2014. The opera will be presented six times between Nov. 24 and Dec. 13, 2025, and will star tenor Piotr ...

The company said that Marko Mimica will sing the role of Wurm, replacing Andrea Mastroni. It added that Attila Mokus will sing the role of Ford in “Falstaff,” replacing the originally announced Davide ...

Carnegie Hall’s Weill Music Institute is set to present its SongStudio from Jan. 12–18. The program explores the future of the vocal recital through intensive workshops with eight emerging vocalists ...

On Jan. 13, 2026, tenor Jonathan Tetelman will join guitarist and Yankees legend Bernie Williams for a special Carnegie Hall ...

Nevada’s UNLV Symphony has unveiled its 2025-26 season. While only one performance features vocal performances, several include opera-adjacent programming. The season will open with a performance of ...

The Metropolitan Opera is set to revive Carrie Cracknell’s production of Bizet’s “Carmen.” The work will be performed 13 times with mezzo-soprano Isabel Leonard taking on the lead role alongside tenor ...

FRANCISCO SALAZAR, (Publisher) has worked as a journalist for over 10 years with such companies as Latin Post, and freelanced for Remezcla. He has also published for El Diario and La Opinion. He is a ...

It’s a lot of smoke and mirrors. No, really. Director Stefan Herheim employs a combination of both smoke and mirrors on a seemingly ever-revolving, ever-evolving stage setting of grandiose balconies, ...